在(zai)(zai)我們的(de)(de)日常生(sheng)活(huo)中(zhong),有(you)(you)各(ge)種(zhong)(zhong)各(ge)樣的(de)(de)工(gong)(gong)(gong)(gong)藝(yi)(yi)(yi)品(pin)(pin)(pin),工(gong)(gong)(gong)(gong)藝(yi)(yi)(yi)品(pin)(pin)(pin)能(neng)夠美化裝飾我們的(de)(de)環境,還能(neng)起到(dao)記載的(de)(de)作用,不(bu)同材料(liao)制(zhi)作的(de)(de)工(gong)(gong)(gong)(gong)藝(yi)(yi)(yi)品(pin)(pin)(pin)在(zai)(zai)一(yi)(yi)定的(de)(de)程度(du)上(shang)代表著不(bu)同時(shi)代的(de)(de)特(te)征,小編給和(he)(he)(he)大家介紹的(de)(de)是(shi)(shi)(shi)銅(tong)制(zhi)工(gong)(gong)(gong)(gong)藝(yi)(yi)(yi)品(pin)(pin)(pin),銅(tong)制(zhi)工(gong)(gong)(gong)(gong)藝(yi)(yi)(yi)品(pin)(pin)(pin)的(de)(de)起源(yuan)可以追溯到(dao)遠古(gu)時(shi)期(qi),銅(tong)制(zhi)工(gong)(gong)(gong)(gong)藝(yi)(yi)(yi)品(pin)(pin)(pin)可以算是(shi)(shi)(shi)最(zui)早出(chu)現的(de)(de)硬器(qi)(qi)(qi)制(zhi)品(pin)(pin)(pin)之一(yi)(yi),古(gu)時(shi)候的(de)(de)貨幣也曾是(shi)(shi)(shi)銅(tong)制(zhi)品(pin)(pin)(pin),那(nei)么(me)(me)銅(tong)制(zhi)工(gong)(gong)(gong)(gong)藝(yi)(yi)(yi)品(pin)(pin)(pin)有(you)(you)什么(me)(me)特(te)點,需(xu)要(yao)怎么(me)(me)保養呢? 銅(tong)工(gong)(gong)(gong)(gong)藝(yi)(yi)(yi)品(pin)(pin)(pin)在(zai)(zai)我國具有(you)(you)有(you)(you)久的(de)(de)歷史(shi),它既是(shi)(shi)(shi)一(yi)(yi)門高(gao)難度(du)的(de)(de)技術(shu)(shu)(shu)又(you)是(shi)(shi)(shi)一(yi)(yi)門藝(yi)(yi)(yi)術(shu)(shu)(shu)。工(gong)(gong)(gong)(gong)藝(yi)(yi)(yi)品(pin)(pin)(pin)具有(you)(you)一(yi)(yi)定的(de)(de)觀賞價值(zhi)和(he)(he)(he)紀念價值(zhi),隨著社會(hui)的(de)(de)發(fa)展人們對雕塑需(xu)求(qiu)和(he)(he)(he)要(yao)求(qiu)越來(lai)越高(gao)。它主要(yao)是(shi)(shi)(shi)手工(gong)(gong)(gong)(gong)藝(yi)(yi)(yi)的(de)(de)產品(pin)(pin)(pin),即通過手工(gong)(gong)(gong)(gong)將原料(liao)或半成品(pin)(pin)(pin)加工(gong)(gong)(gong)(gong)而成的(de)(de)產品(pin)(pin)(pin),是(shi)(shi)(shi)對一(yi)(yi)組(zu)價值(zhi)藝(yi)(yi)(yi)術(shu)(shu)(shu)品(pin)(pin)(pin)的(de)(de)總稱。它包括的(de)(de)種(zhong)(zhong)類很多,有(you)(you)漆器(qi)(qi)(qi),陶器(qi)(qi)(qi),瓷器(qi)(qi)(qi),民(min)間(jian)工(gong)(gong)(gong)(gong)藝(yi)(yi)(yi),木雕工(gong)(gong)(gong)(gong)藝(yi)(yi)(yi)品(pin)(pin)(pin),樺(hua)樹皮工(gong)(gong)(gong)(gong)藝(yi)(yi)(yi)品(pin)(pin)(pin),麥秸工(gong)(gong)(gong)(gong)藝(yi)(yi)(yi)品(pin)(pin)(pin),石灣公仔等(deng)。工(gong)(gong)(gong)(gong)藝(yi)(yi)(yi)品(pin)(pin)(pin)來(lai)源(yuan)與(yu)生(sheng)活(huo),卻又(you)創造了高(gao)于生(sheng)活(huo)的(de)(de)價值(zhi)。它是(shi)(shi)(shi)人民(min)智慧的(de)(de)結晶,充分體現了人類的(de)(de)創造性(xing)和(he)(he)(he)藝(yi)(yi)(yi)術(shu)(shu)(shu)性(xing),是(shi)(shi)(shi)人類的(de)(de)無價之寶。
銅制工藝品的發展史
銅(tong)(tong)器(qi)(qi)(qi)(qi)(qi),在我國古代(dai)(dai)(dai)多(duo)(duo)指青(qing)(qing)(qing)銅(tong)(tong)器(qi)(qi)(qi)(qi)(qi),流(liu)行(xing)于(yu)新(xin)石器(qi)(qi)(qi)(qi)(qi)時(shi)代(dai)(dai)(dai)晚(wan)期(qi)(qi)(qi)至秦(qin)漢時(shi)代(dai)(dai)(dai),以商(shang)周器(qi)(qi)(qi)(qi)(qi)物最(zui)為(wei)精美。最(zui)初出(chu)(chu)現(xian)的(de)(de)是小型工(gong)具或飾(shi)物。夏代(dai)(dai)(dai)始有青(qing)(qing)(qing)銅(tong)(tong)容(rong)器(qi)(qi)(qi)(qi)(qi)和兵器(qi)(qi)(qi)(qi)(qi)。商(shang)中(zhong)期(qi)(qi)(qi),青(qing)(qing)(qing)銅(tong)(tong)器(qi)(qi)(qi)(qi)(qi)品種(zhong)已很豐(feng)富,并出(chu)(chu)現(xian)了銘文和精細的(de)(de)花紋。商(shang)晚(wan)期(qi)(qi)(qi)至西(xi)周早期(qi)(qi)(qi),是青(qing)(qing)(qing)銅(tong)(tong)器(qi)(qi)(qi)(qi)(qi)發展的(de)(de)鼎(ding)盛時(shi)期(qi)(qi)(qi),器(qi)(qi)(qi)(qi)(qi)型多(duo)(duo)種(zhong)多(duo)(duo)樣(yang),渾厚凝重,銘文逐漸(jian)加長,花紋繁(fan)褥富麗。隨后,青(qing)(qing)(qing)銅(tong)(tong)器(qi)(qi)(qi)(qi)(qi)胎體開始變薄,紋飾(shi)逐漸(jian)簡(jian)化。春(chun)秋晚(wan)期(qi)(qi)(qi)至戰(zhan)國,由于(yu)鐵器(qi)(qi)(qi)(qi)(qi)的(de)(de)推廣使(shi)用,銅(tong)(tong)制工(gong)具越來(lai)(lai)越少(shao)。奏漢時(shi)期(qi)(qi)(qi),隨著瓷器(qi)(qi)(qi)(qi)(qi)和漆(qi)器(qi)(qi)(qi)(qi)(qi)進入日常生(sheng)活(huo),銅(tong)(tong)制容(rong)器(qi)(qi)(qi)(qi)(qi)品種(zhong)減(jian)少(shao),裝飾(shi)簡(jian)單,多(duo)(duo)為(wei)素面(mian),胎體也(ye)(ye)更(geng)為(wei)輕薄。中(zhong)國古代(dai)(dai)(dai)銅(tong)(tong)器(qi)(qi)(qi)(qi)(qi),是我們的(de)(de)祖先對人類物質文明的(de)(de)巨大(da)貢獻,雖(sui)然從考古資(zi)料來(lai)(lai)看,我國銅(tong)(tong)器(qi)(qi)(qi)(qi)(qi)的(de)(de)出(chu)(chu)現(xian),晚(wan)于(yu)世(shi)(shi)界上(shang)其他一(yi)些(xie)地(di)方(fang),但是就銅(tong)(tong)器(qi)(qi)(qi)(qi)(qi)的(de)(de)使(shi)用規模、鑄造工(gong)藝、造型藝術及品種(zhong)而言,世(shi)(shi)界上(shang)沒有一(yi)個地(di)方(fang)的(de)(de)銅(tong)(tong)器(qi)(qi)(qi)(qi)(qi)可以與中(zhong)國古代(dai)(dai)(dai)銅(tong)(tong)器(qi)(qi)(qi)(qi)(qi)相比(bi)擬(ni)。這也(ye)(ye)是中(zhong)國古代(dai)(dai)(dai)銅(tong)(tong)器(qi)(qi)(qi)(qi)(qi)在世(shi)(shi)界藝術史上(shang)占有獨特(te)地(di)位并引起(qi)普遍重視的(de)(de)原因之一(yi)。
隨著歷史(shi)車輪的(de)(de)轉動(dong),青(qing)銅器(qi)鑄(zhu)(zhu)造(zao)的(de)(de)歷史(shi)也是(shi)歷練了(le)幾千年(nian),從奴隸制(zhi)(zhi)社(she)會(hui)進化到(dao)封建社(she)會(hui),再到(dao)飛(fei)速發達(da)的(de)(de)今(jin)天。其中的(de)(de)世界第(di)八大(da)奇跡(ji)就是(shi)我國鑄(zhu)(zhu)造(zao)歷史(shi)的(de)(de)奇跡(ji),體(ti)現(xian)了(le)我國古代勞動(dong)人民的(de)(de)大(da)智慧。青(qing)銅器(qi)鑄(zhu)(zhu)造(zao)類(lei)型各(ge)式各(ge)樣,我們同樣可以根據(ju)您(nin)的(de)(de)設計量身定(ding)做(zuo)專屬于您(nin)的(de)(de)個性雕塑(su),或者(zhe)根據(ju)您(nin)的(de)(de)企業形象(xiang),制(zhi)(zhi)作貴(gui)公司的(de)(de)標(biao)志(zhi)工藝(yi)品,人物雕塑(su),景觀雕塑(su),園林雕塑(su)等(deng)等(deng),都是(shi)如今(jin)最為受眾度高的(de)(de)雕塑(su)工藝(yi)品。銅制(zhi)(zhi)工藝(yi)品的(de)(de)特(te)點
中(zhong)國(guo)銅(tong)(tong)工藝(yi)(yi)品(pin)(pin)分(fen)布地區(qu)廣,且質(zhi)量上乘。中(zhong)國(guo)銅(tong)(tong)工藝(yi)(yi)品(pin)(pin)出土較為集(ji)中(zhong)的地區(qu)是(shi)中(zhong)原,但它的分(fen)布范圍(wei)遠(yuan)(yuan)遠(yuan)(yuan)超出中(zhong)原地區(qu),東北、西北、巴蜀(shu)、嶺南甚至(zhi)西藏及(ji)東海漁島上都發現有銅(tong)(tong)工藝(yi)(yi)品(pin)(pin)。這些銅(tong)(tong)工藝(yi)(yi)品(pin)(pin)造(zao)型生動、精美,風(feng)格各(ge)異,呈現出各(ge)自不(bu)同的藝(yi)(yi)術風(feng)格。各(ge)類銅(tong)(tong)工藝(yi)(yi)品(pin)(pin),鑄造(zao)者根據不(bu)同的硬度要求(qiu),準確把(ba)銅(tong)(tong)錫比(bi)例(li),使器皿質(zhi)量優良(liang),這是(shi)國(guo)外銅(tong)(tong)工藝(yi)(yi)品(pin)(pin)鑄品(pin)(pin)望塵(chen)莫(mo)及(ji)的。
其(qi)二,中(zhong)(zhong)國(guo)銅(tong)工(gong)藝(yi)品(pin)數(shu)量(liang)大(da),種類(lei)(lei)繁(fan)多(duo)(duo)。究竟中(zhong)(zhong)國(guo)有(you)多(duo)(duo)少件銅(tong)工(gong)藝(yi)品(pin),這是誰也無(wu)法統計的(de)(de)數(shu)字。正因(yin)為(wei)數(shu)量(liang)大(da),中(zhong)(zhong)國(guo)銅(tong)工(gong)藝(yi)品(pin)的(de)(de)品(pin)種也極其(qi)豐富,不僅有(you)酒器(qi)(qi)、水(shui)器(qi)(qi)、食器(qi)(qi)、兵器(qi)(qi)、禮器(qi)(qi),還有(you)車馬(ma)器(qi)(qi)、農具、工(gong)具及各類(lei)(lei)生活用具等(deng)一(yi)應器(qi)(qi)物。眾多(duo)(duo)的(de)(de)銅(tong)工(gong)藝(yi)品(pin)皿,造型生動、多(duo)(duo)彩多(duo)(duo)姿(zi),令人目(mu)不暇接。數(shu)量(liang)大(da)、品(pin)種繁(fan)的(de)(de)中(zhong)(zhong)國(guo)銅(tong)工(gong)藝(yi)品(pin)無(wu)疑增(zeng)加了鑒定的(de)(de)難度,這是中(zhong)(zhong)國(guo)銅(tong)工(gong)藝(yi)品(pin)的(de)(de)特點之一(yi)。
其(qi)(qi)三(san),以容(rong)器(qi)(qi)為(wei)主(zhu)的(de)中國銅(tong)工(gong)(gong)藝品也在世(shi)(shi)界(jie)青銅(tong)文(wen)(wen)化中獨(du)樹一幟。就世(shi)(shi)界(jie)范圍而(er)(er)言(yan),從(cong)印度(du)(du)河流域到(dao)巴爾(er)干半島,從(cong)米(mi)諾斯文(wen)(wen)明到(dao)邁(mai)錫尼文(wen)(wen)明,其(qi)(qi)銅(tong)工(gong)(gong)藝品的(de)代表(biao)作(zuo)大多為(wei)武器(qi)(qi),如戈、矛(mao)、刀、箭(jian)、劍、戟、鏃等,而(er)(er)中國卻以鑄(zhu)造難度(du)(du)較大、紋飾復雜的(de)容(rong)器(qi)(qi)為(wei)主(zhu)。這(zhe)些(xie)容(rong)器(qi)(qi),尤(you)其(qi)(qi)鼎,是(shi)為(wei)國家重(zhong)器(qi)(qi)。其(qi)(qi)寓意深奧、內涵豐富(fu)(fu),與政(zheng)治糾(jiu)纏在一起(qi)的(de)神秘性(xing)始終是(shi)鑒定(ding)家及(ji)藏家們感興趣(qu)的(de)問(wen)題。歐洲(zhou)青銅(tong)文(wen)(wen)化以武器(qi)(qi)為(wei)代表(biao),中國青銅(tong)文(wen)(wen)化以容(rong)器(qi)(qi)為(wei)代表(biao),這(zhe)是(shi)不是(shi)前者富(fu)(fu)于(yu)侵略(lve)性(xing),而(er)(er)后者安(an)于(yu)保守性(xing)就不得(de)而(er)(er)知了,若有興趣(qu),鑒定(ding)者可以研究。
其四,器(qi)物銘文(wen)(wen)可(ke)以說是中國銅(tong)(tong)工(gong)藝品(pin)最(zui)大(da)的(de)特點(dian)。世界各地古銅(tong)(tong)工(gong)藝品(pin)絕大(da)多數沒有(you)銘文(wen)(wen),只有(you)印度出土的(de)少(shao)量銅(tong)(tong)工(gong)藝品(pin)或鑄(zhu)有(you)很(hen)短的(de)銘文(wen)(wen)。中國古銅(tong)(tong)器(qi)有(you)銘文(wen)(wen)者僅出土的(de)就達(da)一萬余件(jian),且名文(wen)(wen)長篇巨(ju)制不少(shao),如毛(mao)公鼎(ding)銘文(wen)(wen)長達(da)497字。這些銘文(wen)(wen)字體,或粗獷(guang)放(fang)達(da),或蒼勁(jing)有(you)力,具有(you)很(hen)高的(de)很(hen)高的(de)書法欣賞價(jia)值。這些銘文(wen)(wen)也是鑒(jian)定中最(zui)難把握的(de)一環。銅(tong)(tong)制工(gong)藝品(pin)制作(zuo)方法及流程(cheng)
1、當然(ran)無論做(zuo)什么我們(men)(men)的第一(yi)步肯定是收(shou)集素材,照一(yi)張我們(men)(men)想要(yao)銅雕樣式的圖片,然(ran)后(hou)做(zuo)一(yi)個(ge)1:1的泥稿,為我們(men)(men)的定性準備(bei),然(ran)后(hou)我們(men)(men)需要(yao)根(gen)據要(yao)根(gen)據放大(da)比例(li)的小(xiao)稿進行修改(gai)。然(ran)后(hou)再(zai)進行模具翻制。
2、第二(er)步我(wo)(wo)們開始制“殼(ke)”制殼(ke)也是采取(qu)兩種方案,小件我(wo)(wo)們應該選(xuan)用(yong)精(jing)密鑄造,就是用(yong)精(jing)致石英(ying)砂一層一層把制作(zuo)好的(de)蠟型包起來、然后再用(yong)高溫把殼(ke)里(li)面的(de)石蠟燒凈。
3、制(zhi)殼(ke)完后(hou)就(jiu)(jiu)(jiu)(jiu)到了鑄(zhu)造(zao)這個環節,在高溫下(xia)把(ba)銅(tong)(tong)(tong)棒或(huo)者(zhe)銅(tong)(tong)(tong)錠(ding)化成銅(tong)(tong)(tong)水(shui)后(hou)灌注到做好(hao)的殼(ke)或(huo)砂箱里面(mian),等銅(tong)(tong)(tong)水(shui)冷卻(que)后(hou)拆開制(zhi)殼(ke),清(qing)冒口(kou)打磨,然后(hou)把(ba)已(yi)經打磨好(hao)銅(tong)(tong)(tong)雕(diao)拼在一起,這時一件大致的銅(tong)(tong)(tong)雕(diao)作品就(jiu)(jiu)(jiu)(jiu)可以看到了。然后(hou)進行表面(mian)作色(se),銅(tong)(tong)(tong)雕(diao)著(zhu)色(se)是要根據(ju)客戶要求來定(ding),鑄(zhu)銅(tong)(tong)(tong)人(ren)物雕(diao)塑,有(you)的貼金(jin),也(ye)有(you)鍍(du)金(jin)的,還有(you)彩繪的。著(zhu)色(se)完后(hou)就(jiu)(jiu)(jiu)(jiu)是最(zui)后(hou)一道(dao)工序上油、封蠟。經過(guo)這么多步驟后(hou)一件銅(tong)(tong)(tong)雕(diao)藝術品就(jiu)(jiu)(jiu)(jiu)算鑄(zhu)造(zao)完成了。
銅工藝品保養方法
①氧(yang)(yang)(yang)化(hua)(hua)銀(yin)法。用氧(yang)(yang)(yang)化(hua)(hua)銀(yin)與氧(yang)(yang)(yang)化(hua)(hua)亞銅接(jie)觸,封閉氯化(hua)(hua)亞銅的暴露面,達到控制腐蝕(shi)銅藝品的目的。先用機械方(fang)法,剔除粉狀(zhuang)銹,露出灰白色蠟(la)狀(zhuang)物(wu)(wu)氯化(hua)(hua)亞銅。然后(hou)將(jiang)氧(yang)(yang)(yang)化(hua)(hua)銀(yin)與酒(jiu)精調成糊劑,涂(tu)在氯化(hua)(hua)亞銅表(biao)面,并置(zhi)于(yu)潮濕環境中,使(shi)其(qi)充分作用,形(xing)成氧(yang)(yang)(yang)化(hua)(hua)亞銅和氯化(hua)(hua)銅,覆蓋(gai)氯化(hua)(hua)亞銅表(biao)面。兩者皆為穩定性鹽,如此(ci)多次操作,直至將(jiang)器(qi)物(wu)(wu)置(zhi)于(yu)高濕環境中仍不出現(xian)粉狀(zhuang)銹的腐蝕(shi)點為止。此(ci)法適于(yu)斑點狀(zhuang)局部腐蝕(shi)的器(qi)物(wu)(wu)及(ji)有(you)金屬鑲嵌物(wu)(wu)的器(qi)物(wu)(wu)。
②苯(ben)(ben)駢(pian)三(san)(san)(san)氮唑(zuo)法。苯(ben)(ben)駢(pian)三(san)(san)(san)氮唑(zuo)是(shi)雜環化(hua)合物,與銅及其(qi)鹽(yan)類能(neng)形成穩定(ding)絡合物,在(zai)銅合金表面(mian)生成不溶性且相當牢固的(de)透明(ming)保(bao)護(hu)(hu)膜,使銅藝(yi)品(pin)病被抑制(zhi)并穩定(ding)下來,防止水(shui)蒸(zheng)氣和空(kong)氣污(wu)染物的(de)侵蝕。用蒸(zheng)餾(liu)水(shui)和甲苯(ben)(ben)、丙酮等有機溶劑(ji),清除銅藝(yi)品(pin)表面(mian)泥土油(you)污(wu),然后浸入(ru)苯(ben)(ben)駢(pian)三(san)(san)(san)氮唑(zuo)酒精溶劑(ji)中進行滲透,即可(ke)形成絡合物保(bao)護(hu)(hu)膜。但苯(ben)(ben)駢(pian)三(san)(san)(san)氮唑(zuo)易受熱升(sheng)華,失去保(bao)護(hu)(hu)作用,所以最后應在(zai)銅藝(yi)品(pin)表面(mian)涂一(yi)層(ceng)高分子材(cai)料,做封護(hu)(hu)膜。
③堿液浸(jin)(jin)泡法。將被腐蝕的(de)(de)(de)(de)(de)銅(tong)(tong)(tong)藝(yi)(yi)(yi)品(pin)(pin)(pin)置(zhi)于倍半碳酸鈉溶液中浸(jin)(jin)泡,使銅(tong)(tong)(tong)的(de)(de)(de)(de)(de)氯(lv)化(hua)物(wu)(wu)逐漸轉(zhuan)換(huan)為(wei)穩定(ding)的(de)(de)(de)(de)(de)銅(tong)(tong)(tong)的(de)(de)(de)(de)(de)碳酸鹽,銅(tong)(tong)(tong)藝(yi)(yi)(yi)品(pin)(pin)(pin)的(de)(de)(de)(de)(de)氯(lv)離(li)子(zi)被置(zhi)換(huan)出(chu)來轉(zhuan)入浸(jin)(jin)液中。浸(jin)(jin)液需定(ding)時更換(huan),直(zhi)至浸(jin)(jin)液中無氯(lv)離(li)子(zi)出(chu)現為(wei)止。隨后(hou)將器物(wu)(wu)用(yong)蒸餾(liu)水反復清洗,除去堿液,干燥(zao)后(hou)封(feng)護。堿溶液僅把氯(lv)化(hua)物(wu)(wu)提取(qu)出(chu)來,保留著色彩斑斕的(de)(de)(de)(de)(de)孔雀石等腐蝕層,不損害銅(tong)(tong)(tong)藝(yi)(yi)(yi)品(pin)(pin)(pin)的(de)(de)(de)(de)(de)原貌(mao)。此(ci)法缺點是(shi)置(zhi)換(huan)反應時間(jian)長;另(ling)外氯(lv)化(hua)物(wu)(wu)不僅附在銹層表(biao)面(mian),而且已滲入器物(wu)(wu)腐蝕結殼的(de)(de)(de)(de)(de)深部,難以置(zhi)換(huan)徹底(di)。以上(shang)就是(shi)小編給大(da)家整理的(de)(de)(de)(de)(de)有關于銅(tong)(tong)(tong)制(zhi)(zhi)(zhi)工(gong)(gong)藝(yi)(yi)(yi)品(pin)(pin)(pin)的(de)(de)(de)(de)(de)相(xiang)關內容啦(la),不知道大(da)家在看完(wan)之后(hou)有沒有對銅(tong)(tong)(tong)制(zhi)(zhi)(zhi)工(gong)(gong)藝(yi)(yi)(yi)品(pin)(pin)(pin)有了(le)新(xin)的(de)(de)(de)(de)(de)認(ren)識和了(le)解了(le)呢?其實,銅(tong)(tong)(tong)制(zhi)(zhi)(zhi)品(pin)(pin)(pin)的(de)(de)(de)(de)(de)用(yong)途是(shi)很(hen)廣泛(fan)的(de)(de)(de)(de)(de),在我(wo)們的(de)(de)(de)(de)(de)身邊,不少有銅(tong)(tong)(tong)制(zhi)(zhi)(zhi)成的(de)(de)(de)(de)(de)工(gong)(gong)藝(yi)(yi)(yi)品(pin)(pin)(pin),銅(tong)(tong)(tong)制(zhi)(zhi)(zhi)工(gong)(gong)藝(yi)(yi)(yi)品(pin)(pin)(pin)給人(ren)一種(zhong)時代感歷史(shi)感,價格也比較(jiao)低廉,但(dan)銅(tong)(tong)(tong)制(zhi)(zhi)(zhi)工(gong)(gong)藝(yi)(yi)(yi)品(pin)(pin)(pin)也要注意保養,銅(tong)(tong)(tong)制(zhi)(zhi)(zhi)工(gong)(gong)藝(yi)(yi)(yi)品(pin)(pin)(pin)也是(shi)一個不錯的(de)(de)(de)(de)(de)裝飾選擇哦。
青(qing)銅(tong)(tong)作品(pin)有不均勻點狀(zhuang)銅(tong)(tong)銹的(de)(de)(de)情形產生(sheng),形成(cheng)(cheng)原因通常是(shi)青(qing)銅(tong)(tong)作品(pin)在環境中(zhong)受溼度和氧(yang)(yang)氣及(ji)二氧(yang)(yang)化(hua)碳的(de)(de)(de)影響形成(cheng)(cheng)表面綠色的(de)(de)(de)〝堿性(xing)碳酸銅(tong)(tong)〞,此(ci)生(sheng)成(cheng)(cheng)物能防(fang)止銅(tong)(tong)材繼(ji)續(xu)銹蝕,屬(shu)於無(wu)害銹,并無(wu)大礙(ai),有些藝術家(jia)或收藏家(jia)喜歡青(qing)銅(tong)(tong)生(sheng)成(cheng)(cheng)銅(tong)(tong)綠的(de)(de)(de)質感會(hui)刻意(yi)保(bao)(bao)留,但如(ru)果(guo)您(nin)介(jie)意(yi)這(zhe)些銅(tong)(tong)綠生(sheng)長有礙(ai)觀(guan)賞的(de)(de)(de)話(hua),建議還是(shi)交由專業人員來做保(bao)(bao)養(yang),因為不慎的(de)(de)(de)處理往往會(hui)造成(cheng)(cheng)作品(pin)的(de)(de)(de)傷害。如(ru)果(guo)您(nin)有此(ci)需(xu)求可以(yi)送來朱銘(ming)(ming)美術館修復中(zhong)心(xin)做保(bao)(bao)養(yang),費用視(shi)作品(pin)尺寸和狀(zhuang)況不同而定,但就(jiu)美術館的(de)(de)(de)作業程序上必須確定藏品(pin)是(shi)朱銘(ming)(ming)的(de)(de)(de)真品(pin)才(cai)會(hui)收件,因此(ci)如(ru)果(guo)您(nin)有考慮送件做保(bao)(bao)養(yang)的(de)(de)(de)話(hua)可以(yi)建議您(nin)先(xian)做鑒(jian)定,朱銘(ming)(ming)美術館的(de)(de)(de)鑒(jian)定專線(xian)為3001,煩請與王小姐接洽(qia),謝(xie)謝(xie)!
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以下(xia)提(ti)供幾(ji)項青銅維護的(de)需知給您參考:
一.不要使(shi)(shi)用濕抹布擦(ca)拭(shi)或用水清(qing)洗或油清(qing)潔保養青銅(tong)作(zuo)品,對於(wu)表面粉塵使(shi)(shi)用軟毛刷(shua)刷(shua)除或乾的除塵布擦(ca)拭(shi)即可。如遇難以清(qing)除的臟污時,建(jian)議找(zhao)專業修復(fu)人員處理。
二.控(kong)制(zhi)存放空(kong)間的溼(shi)度,溼(shi)度盡量保(bao)持(chi)在50%以(yi)下(xia)。
三.隔離氯離子(zi)於(wu)保存環境中(zhong),如保存室內不(bu)要噴(pen)灑含有機氯之殺蟲劑等化學品。
四.高溫度(du)也會(hui)加速銅銹之(zhi)化(hua)學反應也應加以注意。
在(zai)(zai)我們的(de)(de)日常生(sheng)活(huo)中(zhong),有(you)(you)各(ge)種(zhong)(zhong)各(ge)樣的(de)(de)工(gong)(gong)(gong)(gong)藝(yi)(yi)(yi)品(pin)(pin)(pin),工(gong)(gong)(gong)(gong)藝(yi)(yi)(yi)品(pin)(pin)(pin)能(neng)夠美化裝飾我們的(de)(de)環境,還能(neng)起到(dao)記載的(de)(de)作用,不(bu)同材料(liao)制(zhi)作的(de)(de)工(gong)(gong)(gong)(gong)藝(yi)(yi)(yi)品(pin)(pin)(pin)在(zai)(zai)一(yi)(yi)定的(de)(de)程度(du)上(shang)代表著不(bu)同時(shi)代的(de)(de)特(te)征,小編給和(he)(he)(he)大家介紹的(de)(de)是(shi)(shi)(shi)銅(tong)制(zhi)工(gong)(gong)(gong)(gong)藝(yi)(yi)(yi)品(pin)(pin)(pin),銅(tong)制(zhi)工(gong)(gong)(gong)(gong)藝(yi)(yi)(yi)品(pin)(pin)(pin)的(de)(de)起源(yuan)可以追溯到(dao)遠古(gu)時(shi)期(qi),銅(tong)制(zhi)工(gong)(gong)(gong)(gong)藝(yi)(yi)(yi)品(pin)(pin)(pin)可以算是(shi)(shi)(shi)最(zui)早出(chu)現的(de)(de)硬器(qi)(qi)(qi)制(zhi)品(pin)(pin)(pin)之一(yi)(yi),古(gu)時(shi)候的(de)(de)貨幣也曾是(shi)(shi)(shi)銅(tong)制(zhi)品(pin)(pin)(pin),那(nei)么(me)(me)銅(tong)制(zhi)工(gong)(gong)(gong)(gong)藝(yi)(yi)(yi)品(pin)(pin)(pin)有(you)(you)什么(me)(me)特(te)點,需(xu)要(yao)怎么(me)(me)保養呢? 銅(tong)工(gong)(gong)(gong)(gong)藝(yi)(yi)(yi)品(pin)(pin)(pin)在(zai)(zai)我國具有(you)(you)有(you)(you)久的(de)(de)歷史(shi),它既是(shi)(shi)(shi)一(yi)(yi)門高(gao)難度(du)的(de)(de)技術(shu)(shu)(shu)又(you)是(shi)(shi)(shi)一(yi)(yi)門藝(yi)(yi)(yi)術(shu)(shu)(shu)。工(gong)(gong)(gong)(gong)藝(yi)(yi)(yi)品(pin)(pin)(pin)具有(you)(you)一(yi)(yi)定的(de)(de)觀賞價值(zhi)和(he)(he)(he)紀念價值(zhi),隨著社會(hui)的(de)(de)發(fa)展人們對雕塑需(xu)求(qiu)和(he)(he)(he)要(yao)求(qiu)越來(lai)越高(gao)。它主要(yao)是(shi)(shi)(shi)手工(gong)(gong)(gong)(gong)藝(yi)(yi)(yi)的(de)(de)產品(pin)(pin)(pin),即通過手工(gong)(gong)(gong)(gong)將原料(liao)或半成品(pin)(pin)(pin)加工(gong)(gong)(gong)(gong)而成的(de)(de)產品(pin)(pin)(pin),是(shi)(shi)(shi)對一(yi)(yi)組(zu)價值(zhi)藝(yi)(yi)(yi)術(shu)(shu)(shu)品(pin)(pin)(pin)的(de)(de)總稱。它包括的(de)(de)種(zhong)(zhong)類很多,有(you)(you)漆器(qi)(qi)(qi),陶器(qi)(qi)(qi),瓷器(qi)(qi)(qi),民(min)間(jian)工(gong)(gong)(gong)(gong)藝(yi)(yi)(yi),木雕工(gong)(gong)(gong)(gong)藝(yi)(yi)(yi)品(pin)(pin)(pin),樺(hua)樹皮工(gong)(gong)(gong)(gong)藝(yi)(yi)(yi)品(pin)(pin)(pin),麥秸工(gong)(gong)(gong)(gong)藝(yi)(yi)(yi)品(pin)(pin)(pin),石灣公仔等(deng)。工(gong)(gong)(gong)(gong)藝(yi)(yi)(yi)品(pin)(pin)(pin)來(lai)源(yuan)與(yu)生(sheng)活(huo),卻又(you)創造了高(gao)于生(sheng)活(huo)的(de)(de)價值(zhi)。它是(shi)(shi)(shi)人民(min)智慧的(de)(de)結晶,充分體現了人類的(de)(de)創造性(xing)和(he)(he)(he)藝(yi)(yi)(yi)術(shu)(shu)(shu)性(xing),是(shi)(shi)(shi)人類的(de)(de)無價之寶。
銅制工藝品的發展史
銅(tong)(tong)器(qi)(qi)(qi)(qi)(qi),在我國古代(dai)(dai)(dai)多(duo)(duo)指青(qing)(qing)(qing)銅(tong)(tong)器(qi)(qi)(qi)(qi)(qi),流(liu)行(xing)于(yu)新(xin)石器(qi)(qi)(qi)(qi)(qi)時(shi)代(dai)(dai)(dai)晚(wan)期(qi)(qi)(qi)至秦(qin)漢時(shi)代(dai)(dai)(dai),以商(shang)周器(qi)(qi)(qi)(qi)(qi)物最(zui)為(wei)精美。最(zui)初出(chu)(chu)現(xian)的(de)(de)是小型工(gong)具或飾(shi)物。夏代(dai)(dai)(dai)始有青(qing)(qing)(qing)銅(tong)(tong)容(rong)器(qi)(qi)(qi)(qi)(qi)和兵器(qi)(qi)(qi)(qi)(qi)。商(shang)中(zhong)期(qi)(qi)(qi),青(qing)(qing)(qing)銅(tong)(tong)器(qi)(qi)(qi)(qi)(qi)品種(zhong)已很豐(feng)富,并出(chu)(chu)現(xian)了銘文和精細的(de)(de)花紋。商(shang)晚(wan)期(qi)(qi)(qi)至西(xi)周早期(qi)(qi)(qi),是青(qing)(qing)(qing)銅(tong)(tong)器(qi)(qi)(qi)(qi)(qi)發展的(de)(de)鼎(ding)盛時(shi)期(qi)(qi)(qi),器(qi)(qi)(qi)(qi)(qi)型多(duo)(duo)種(zhong)多(duo)(duo)樣(yang),渾厚凝重,銘文逐漸(jian)加長,花紋繁(fan)褥富麗。隨后,青(qing)(qing)(qing)銅(tong)(tong)器(qi)(qi)(qi)(qi)(qi)胎體開始變薄,紋飾(shi)逐漸(jian)簡(jian)化。春(chun)秋晚(wan)期(qi)(qi)(qi)至戰(zhan)國,由于(yu)鐵器(qi)(qi)(qi)(qi)(qi)的(de)(de)推廣使(shi)用,銅(tong)(tong)制工(gong)具越來(lai)(lai)越少(shao)。奏漢時(shi)期(qi)(qi)(qi),隨著瓷器(qi)(qi)(qi)(qi)(qi)和漆(qi)器(qi)(qi)(qi)(qi)(qi)進入日常生(sheng)活(huo),銅(tong)(tong)制容(rong)器(qi)(qi)(qi)(qi)(qi)品種(zhong)減(jian)少(shao),裝飾(shi)簡(jian)單,多(duo)(duo)為(wei)素面(mian),胎體也(ye)(ye)更(geng)為(wei)輕薄。中(zhong)國古代(dai)(dai)(dai)銅(tong)(tong)器(qi)(qi)(qi)(qi)(qi),是我們的(de)(de)祖先對人類物質文明的(de)(de)巨大(da)貢獻,雖(sui)然從考古資(zi)料來(lai)(lai)看,我國銅(tong)(tong)器(qi)(qi)(qi)(qi)(qi)的(de)(de)出(chu)(chu)現(xian),晚(wan)于(yu)世(shi)(shi)界上(shang)其他一(yi)些(xie)地(di)方(fang),但是就銅(tong)(tong)器(qi)(qi)(qi)(qi)(qi)的(de)(de)使(shi)用規模、鑄造工(gong)藝、造型藝術及品種(zhong)而言,世(shi)(shi)界上(shang)沒有一(yi)個地(di)方(fang)的(de)(de)銅(tong)(tong)器(qi)(qi)(qi)(qi)(qi)可以與中(zhong)國古代(dai)(dai)(dai)銅(tong)(tong)器(qi)(qi)(qi)(qi)(qi)相比(bi)擬(ni)。這也(ye)(ye)是中(zhong)國古代(dai)(dai)(dai)銅(tong)(tong)器(qi)(qi)(qi)(qi)(qi)在世(shi)(shi)界藝術史上(shang)占有獨特(te)地(di)位并引起(qi)普遍重視的(de)(de)原因之一(yi)。
隨著歷史(shi)車輪的(de)(de)轉動(dong),青(qing)銅器(qi)鑄(zhu)(zhu)造(zao)的(de)(de)歷史(shi)也是(shi)歷練了(le)幾千年(nian),從奴隸制(zhi)(zhi)社(she)會(hui)進化到(dao)封建社(she)會(hui),再到(dao)飛(fei)速發達(da)的(de)(de)今(jin)天。其中的(de)(de)世界第(di)八大(da)奇跡(ji)就是(shi)我國鑄(zhu)(zhu)造(zao)歷史(shi)的(de)(de)奇跡(ji),體(ti)現(xian)了(le)我國古代勞動(dong)人民的(de)(de)大(da)智慧。青(qing)銅器(qi)鑄(zhu)(zhu)造(zao)類(lei)型各(ge)式各(ge)樣,我們同樣可以根據(ju)您(nin)的(de)(de)設計量身定(ding)做(zuo)專屬于您(nin)的(de)(de)個性雕塑(su),或者(zhe)根據(ju)您(nin)的(de)(de)企業形象(xiang),制(zhi)(zhi)作貴(gui)公司的(de)(de)標(biao)志(zhi)工藝(yi)品,人物雕塑(su),景觀雕塑(su),園林雕塑(su)等(deng)等(deng),都是(shi)如今(jin)最為受眾度高的(de)(de)雕塑(su)工藝(yi)品。銅制(zhi)(zhi)工藝(yi)品的(de)(de)特(te)點
中(zhong)國(guo)銅(tong)(tong)工藝(yi)(yi)品(pin)(pin)分(fen)布地區(qu)廣,且質(zhi)量上乘。中(zhong)國(guo)銅(tong)(tong)工藝(yi)(yi)品(pin)(pin)出土較為集(ji)中(zhong)的地區(qu)是(shi)中(zhong)原,但它的分(fen)布范圍(wei)遠(yuan)(yuan)遠(yuan)(yuan)超出中(zhong)原地區(qu),東北、西北、巴蜀(shu)、嶺南甚至(zhi)西藏及(ji)東海漁島上都發現有銅(tong)(tong)工藝(yi)(yi)品(pin)(pin)。這些銅(tong)(tong)工藝(yi)(yi)品(pin)(pin)造(zao)型生動、精美,風(feng)格各(ge)異,呈現出各(ge)自不(bu)同的藝(yi)(yi)術風(feng)格。各(ge)類銅(tong)(tong)工藝(yi)(yi)品(pin)(pin),鑄造(zao)者根據不(bu)同的硬度要求(qiu),準確把(ba)銅(tong)(tong)錫比(bi)例(li),使器皿質(zhi)量優良(liang),這是(shi)國(guo)外銅(tong)(tong)工藝(yi)(yi)品(pin)(pin)鑄品(pin)(pin)望塵(chen)莫(mo)及(ji)的。
其(qi)二,中(zhong)(zhong)國(guo)銅(tong)工(gong)藝(yi)品(pin)數(shu)量(liang)大(da),種類(lei)(lei)繁(fan)多(duo)(duo)。究竟中(zhong)(zhong)國(guo)有(you)多(duo)(duo)少件銅(tong)工(gong)藝(yi)品(pin),這是誰也無(wu)法統計的(de)(de)數(shu)字。正因(yin)為(wei)數(shu)量(liang)大(da),中(zhong)(zhong)國(guo)銅(tong)工(gong)藝(yi)品(pin)的(de)(de)品(pin)種也極其(qi)豐富,不僅有(you)酒器(qi)(qi)、水(shui)器(qi)(qi)、食器(qi)(qi)、兵器(qi)(qi)、禮器(qi)(qi),還有(you)車馬(ma)器(qi)(qi)、農具、工(gong)具及各類(lei)(lei)生活用具等(deng)一(yi)應器(qi)(qi)物。眾多(duo)(duo)的(de)(de)銅(tong)工(gong)藝(yi)品(pin)皿,造型生動、多(duo)(duo)彩多(duo)(duo)姿(zi),令人目(mu)不暇接。數(shu)量(liang)大(da)、品(pin)種繁(fan)的(de)(de)中(zhong)(zhong)國(guo)銅(tong)工(gong)藝(yi)品(pin)無(wu)疑增(zeng)加了鑒定的(de)(de)難度,這是中(zhong)(zhong)國(guo)銅(tong)工(gong)藝(yi)品(pin)的(de)(de)特點之一(yi)。
其(qi)(qi)三(san),以容(rong)器(qi)(qi)為(wei)主(zhu)的(de)中國銅(tong)工(gong)(gong)藝品也在世(shi)(shi)界(jie)青銅(tong)文(wen)(wen)化中獨(du)樹一幟。就世(shi)(shi)界(jie)范圍而(er)(er)言(yan),從(cong)印度(du)(du)河流域到(dao)巴爾(er)干半島,從(cong)米(mi)諾斯文(wen)(wen)明到(dao)邁(mai)錫尼文(wen)(wen)明,其(qi)(qi)銅(tong)工(gong)(gong)藝品的(de)代表(biao)作(zuo)大多為(wei)武器(qi)(qi),如戈、矛(mao)、刀、箭(jian)、劍、戟、鏃等,而(er)(er)中國卻以鑄(zhu)造難度(du)(du)較大、紋飾復雜的(de)容(rong)器(qi)(qi)為(wei)主(zhu)。這(zhe)些(xie)容(rong)器(qi)(qi),尤(you)其(qi)(qi)鼎,是(shi)為(wei)國家重(zhong)器(qi)(qi)。其(qi)(qi)寓意深奧、內涵豐富(fu)(fu),與政(zheng)治糾(jiu)纏在一起(qi)的(de)神秘性(xing)始終是(shi)鑒定(ding)家及(ji)藏家們感興趣(qu)的(de)問(wen)題。歐洲(zhou)青銅(tong)文(wen)(wen)化以武器(qi)(qi)為(wei)代表(biao),中國青銅(tong)文(wen)(wen)化以容(rong)器(qi)(qi)為(wei)代表(biao),這(zhe)是(shi)不是(shi)前者富(fu)(fu)于(yu)侵略(lve)性(xing),而(er)(er)后者安(an)于(yu)保守性(xing)就不得(de)而(er)(er)知了,若有興趣(qu),鑒定(ding)者可以研究。
其四,器(qi)物銘文(wen)(wen)可(ke)以說是中國銅(tong)(tong)工(gong)藝品(pin)最(zui)大(da)的(de)特點(dian)。世界各地古銅(tong)(tong)工(gong)藝品(pin)絕大(da)多數沒有(you)銘文(wen)(wen),只有(you)印度出土的(de)少(shao)量銅(tong)(tong)工(gong)藝品(pin)或鑄(zhu)有(you)很(hen)短的(de)銘文(wen)(wen)。中國古銅(tong)(tong)器(qi)有(you)銘文(wen)(wen)者僅出土的(de)就達(da)一萬余件(jian),且名文(wen)(wen)長篇巨(ju)制不少(shao),如毛(mao)公鼎(ding)銘文(wen)(wen)長達(da)497字。這些銘文(wen)(wen)字體,或粗獷(guang)放(fang)達(da),或蒼勁(jing)有(you)力,具有(you)很(hen)高的(de)很(hen)高的(de)書法欣賞價(jia)值。這些銘文(wen)(wen)也是鑒(jian)定中最(zui)難把握的(de)一環。銅(tong)(tong)制工(gong)藝品(pin)制作(zuo)方法及流程(cheng)
1、當然(ran)無論做(zuo)什么我們(men)(men)的第一(yi)步肯定是收(shou)集素材,照一(yi)張我們(men)(men)想要(yao)銅雕樣式的圖片,然(ran)后(hou)做(zuo)一(yi)個(ge)1:1的泥稿,為我們(men)(men)的定性準備(bei),然(ran)后(hou)我們(men)(men)需要(yao)根(gen)據要(yao)根(gen)據放大(da)比例(li)的小(xiao)稿進行修改(gai)。然(ran)后(hou)再(zai)進行模具翻制。
2、第二(er)步我(wo)(wo)們開始制“殼(ke)”制殼(ke)也是采取(qu)兩種方案,小件我(wo)(wo)們應該選(xuan)用(yong)精(jing)密鑄造,就是用(yong)精(jing)致石英(ying)砂一層一層把制作(zuo)好的(de)蠟型包起來、然后再用(yong)高溫把殼(ke)里(li)面的(de)石蠟燒凈。
3、制(zhi)殼(ke)完后(hou)就(jiu)(jiu)(jiu)(jiu)到了鑄(zhu)造(zao)這個環節,在高溫下(xia)把(ba)銅(tong)(tong)(tong)棒或(huo)者(zhe)銅(tong)(tong)(tong)錠(ding)化成銅(tong)(tong)(tong)水(shui)后(hou)灌注到做好(hao)的殼(ke)或(huo)砂箱里面(mian),等銅(tong)(tong)(tong)水(shui)冷卻(que)后(hou)拆開制(zhi)殼(ke),清(qing)冒口(kou)打磨,然后(hou)把(ba)已(yi)經打磨好(hao)銅(tong)(tong)(tong)雕(diao)拼在一起,這時一件大致的銅(tong)(tong)(tong)雕(diao)作品就(jiu)(jiu)(jiu)(jiu)可以看到了。然后(hou)進行表面(mian)作色(se),銅(tong)(tong)(tong)雕(diao)著(zhu)色(se)是要根據(ju)客戶要求來定(ding),鑄(zhu)銅(tong)(tong)(tong)人(ren)物雕(diao)塑,有(you)的貼金(jin),也(ye)有(you)鍍(du)金(jin)的,還有(you)彩繪的。著(zhu)色(se)完后(hou)就(jiu)(jiu)(jiu)(jiu)是最(zui)后(hou)一道(dao)工序上油、封蠟。經過(guo)這么多步驟后(hou)一件銅(tong)(tong)(tong)雕(diao)藝術品就(jiu)(jiu)(jiu)(jiu)算鑄(zhu)造(zao)完成了。
銅工藝品保養方法
①氧(yang)(yang)(yang)化(hua)(hua)銀(yin)法。用氧(yang)(yang)(yang)化(hua)(hua)銀(yin)與氧(yang)(yang)(yang)化(hua)(hua)亞銅接(jie)觸,封閉氯化(hua)(hua)亞銅的暴露面,達到控制腐蝕(shi)銅藝品的目的。先用機械方(fang)法,剔除粉狀(zhuang)銹,露出灰白色蠟(la)狀(zhuang)物(wu)(wu)氯化(hua)(hua)亞銅。然后(hou)將(jiang)氧(yang)(yang)(yang)化(hua)(hua)銀(yin)與酒(jiu)精調成糊劑,涂(tu)在氯化(hua)(hua)亞銅表(biao)面,并置(zhi)于(yu)潮濕環境中,使(shi)其(qi)充分作用,形(xing)成氧(yang)(yang)(yang)化(hua)(hua)亞銅和氯化(hua)(hua)銅,覆蓋(gai)氯化(hua)(hua)亞銅表(biao)面。兩者皆為穩定性鹽,如此(ci)多次操作,直至將(jiang)器(qi)物(wu)(wu)置(zhi)于(yu)高濕環境中仍不出現(xian)粉狀(zhuang)銹的腐蝕(shi)點為止。此(ci)法適于(yu)斑點狀(zhuang)局部腐蝕(shi)的器(qi)物(wu)(wu)及(ji)有(you)金屬鑲嵌物(wu)(wu)的器(qi)物(wu)(wu)。
②苯(ben)(ben)駢(pian)三(san)(san)(san)氮唑(zuo)法。苯(ben)(ben)駢(pian)三(san)(san)(san)氮唑(zuo)是(shi)雜環化(hua)合物,與銅及其(qi)鹽(yan)類能(neng)形成穩定(ding)絡合物,在(zai)銅合金表面(mian)生成不溶性且相當牢固的(de)透明(ming)保(bao)護(hu)(hu)膜,使銅藝(yi)品(pin)病被抑制(zhi)并穩定(ding)下來,防止水(shui)蒸(zheng)氣和空(kong)氣污(wu)染物的(de)侵蝕。用蒸(zheng)餾(liu)水(shui)和甲苯(ben)(ben)、丙酮等有機溶劑(ji),清除銅藝(yi)品(pin)表面(mian)泥土油(you)污(wu),然后浸入(ru)苯(ben)(ben)駢(pian)三(san)(san)(san)氮唑(zuo)酒精溶劑(ji)中進行滲透,即可(ke)形成絡合物保(bao)護(hu)(hu)膜。但苯(ben)(ben)駢(pian)三(san)(san)(san)氮唑(zuo)易受熱升(sheng)華,失去保(bao)護(hu)(hu)作用,所以最后應在(zai)銅藝(yi)品(pin)表面(mian)涂一(yi)層(ceng)高分子材(cai)料,做封護(hu)(hu)膜。
③堿液浸(jin)(jin)泡法。將被腐蝕的(de)(de)(de)(de)(de)銅(tong)(tong)(tong)藝(yi)(yi)(yi)品(pin)(pin)(pin)置(zhi)于倍半碳酸鈉溶液中浸(jin)(jin)泡,使銅(tong)(tong)(tong)的(de)(de)(de)(de)(de)氯(lv)化(hua)物(wu)(wu)逐漸轉(zhuan)換(huan)為(wei)穩定(ding)的(de)(de)(de)(de)(de)銅(tong)(tong)(tong)的(de)(de)(de)(de)(de)碳酸鹽,銅(tong)(tong)(tong)藝(yi)(yi)(yi)品(pin)(pin)(pin)的(de)(de)(de)(de)(de)氯(lv)離(li)子(zi)被置(zhi)換(huan)出(chu)來轉(zhuan)入浸(jin)(jin)液中。浸(jin)(jin)液需定(ding)時更換(huan),直(zhi)至浸(jin)(jin)液中無氯(lv)離(li)子(zi)出(chu)現為(wei)止。隨后(hou)將器物(wu)(wu)用(yong)蒸餾(liu)水反復清洗,除去堿液,干燥(zao)后(hou)封(feng)護。堿溶液僅把氯(lv)化(hua)物(wu)(wu)提取(qu)出(chu)來,保留著色彩斑斕的(de)(de)(de)(de)(de)孔雀石等腐蝕層,不損害銅(tong)(tong)(tong)藝(yi)(yi)(yi)品(pin)(pin)(pin)的(de)(de)(de)(de)(de)原貌(mao)。此(ci)法缺點是(shi)置(zhi)換(huan)反應時間(jian)長;另(ling)外氯(lv)化(hua)物(wu)(wu)不僅附在銹層表(biao)面(mian),而且已滲入器物(wu)(wu)腐蝕結殼的(de)(de)(de)(de)(de)深部,難以置(zhi)換(huan)徹底(di)。以上(shang)就是(shi)小編給大(da)家整理的(de)(de)(de)(de)(de)有關于銅(tong)(tong)(tong)制(zhi)(zhi)(zhi)工(gong)(gong)藝(yi)(yi)(yi)品(pin)(pin)(pin)的(de)(de)(de)(de)(de)相(xiang)關內容啦(la),不知道大(da)家在看完(wan)之后(hou)有沒有對銅(tong)(tong)(tong)制(zhi)(zhi)(zhi)工(gong)(gong)藝(yi)(yi)(yi)品(pin)(pin)(pin)有了(le)新(xin)的(de)(de)(de)(de)(de)認(ren)識和了(le)解了(le)呢?其實,銅(tong)(tong)(tong)制(zhi)(zhi)(zhi)品(pin)(pin)(pin)的(de)(de)(de)(de)(de)用(yong)途是(shi)很(hen)廣泛(fan)的(de)(de)(de)(de)(de),在我(wo)們的(de)(de)(de)(de)(de)身邊,不少有銅(tong)(tong)(tong)制(zhi)(zhi)(zhi)成的(de)(de)(de)(de)(de)工(gong)(gong)藝(yi)(yi)(yi)品(pin)(pin)(pin),銅(tong)(tong)(tong)制(zhi)(zhi)(zhi)工(gong)(gong)藝(yi)(yi)(yi)品(pin)(pin)(pin)給人(ren)一種(zhong)時代感歷史(shi)感,價格也比較(jiao)低廉,但(dan)銅(tong)(tong)(tong)制(zhi)(zhi)(zhi)工(gong)(gong)藝(yi)(yi)(yi)品(pin)(pin)(pin)也要注意保養,銅(tong)(tong)(tong)制(zhi)(zhi)(zhi)工(gong)(gong)藝(yi)(yi)(yi)品(pin)(pin)(pin)也是(shi)一個不錯的(de)(de)(de)(de)(de)裝飾選擇哦。
保(bao)養銅(tong)雕佛像(xiang)方法(fa)一、氧化(hua)銀(yin)法(fa)。用(yong)氧化(hua)銀(yin)與(yu)氧化(hua)亞(ya)銅(tong)涂抹銅(tong)雕工(gong)藝品佛像(xiang),能夠覆蓋氯(lv)(lv)化(hua)亞(ya)銅(tong)的(de)暴出(chu)面(mian),到(dao)達減(jian)緩銅(tong)雕腐蝕的(de)效果。操作(zuo)步(bu)驟(zou)是(shi)(shi),先用(yong)機(ji)械除掉銅(tong)雕表面(mian)的(de)粉狀(zhuang)銹,能看(kan)到(dao)里面(mian)灰白(bai)色(se)蠟狀(zhuang)物氯(lv)(lv)化(hua)亞(ya)銅(tong)為(wei)止。然后將氧化(hua)銀(yin)與(yu)酒精(jing)調成糊(hu)狀(zhuang),均勻的(de)涂抹在(zai)氯(lv)(lv)化(hua)亞(ya)銅(tong)的(de)表面(mian),并且(qie)放(fang)置在(zai)濕潤(run)環境中,自然晾(liang)曬,使生成氧化(hua)亞(ya)銅(tong)和氯(lv)(lv)化(hua)銅(tong)。這兩種物質都是(shi)(shi)為(wei)性質穩定的(de)物質,可以(yi)防腐。多次重復(fu)前面(mian)的(de)操作(zuo),直銅(tong)雕在(zai)高濕環境中仍不出(chu)現粉狀(zhuang)銹為(wei)止。
保(bao)養銅(tong)雕(diao)(diao)佛(fo)像方(fang)法(fa)二、苯(ben)駢三(san)氮唑(zuo)(zuo)法(fa)。苯(ben)駢三(san)氮唑(zuo)(zuo)與(yu)銅(tong)及其鹽(yan)類能生成穩定的(de)(de)化合(he)物(wu)(wu),是(shi)銅(tong)雕(diao)(diao)表(biao)面透(tou)明的(de)(de)保(bao)護(hu)(hu)膜,使銅(tong)與(yu)空(kong)氣(qi)隔(ge)離開來,避(bi)免水蒸(zheng)氣(qi)和空(kong)氣(qi)中(zhong)污染物(wu)(wu)的(de)(de)腐蝕。操作方(fang)法(fa)是(shi):用(yong)(yong)蒸(zheng)餾水和甲苯(ben)、丙酮等有機溶劑,洗凈銅(tong)雕(diao)(diao)表(biao)面的(de)(de)泥(ni)土(tu)油(you)污,晾干后浸(jin)入苯(ben)駢三(san)氮唑(zuo)(zuo)酒精(jing)溶劑中(zhong)進行浸(jin)透(tou),即可構成這種(zhong)保(bao)護(hu)(hu)膜膜。但苯(ben)駢三(san)氮唑(zuo)(zuo)易受(shou)熱(re)分(fen)解,失去(qu)保(bao)護(hu)(hu)作用(yong)(yong),所以最(zui)后要在銅(tong)雕(diao)(diao)表(biao)面涂一(yi)層高分(fen)子材料(liao)做封護(hu)(hu)膜。
銅(tong)(tong)(tong)(tong)(tong)(tong)(tong)(tong)雕(diao)(diao)塑(su)(su)在(zai)(zai)我國(guo)有(you)著悠久(jiu)的(de)(de)(de)(de)(de)歷史,是(shi)(shi)我國(guo)文化(hua)(hua)(hua)(hua)史上(shang)的(de)(de)(de)(de)(de)璀璨(can)的(de)(de)(de)(de)(de)明(ming)珠,我國(guo)的(de)(de)(de)(de)(de)銅(tong)(tong)(tong)(tong)(tong)(tong)(tong)(tong)雕(diao)(diao)塑(su)(su)工(gong)藝(yi)是(shi)(shi)非(fei)常的(de)(de)(de)(de)(de)成(cheng)(cheng)熟的(de)(de)(de)(de)(de),但是(shi)(shi)長(chang)年(nian)的(de)(de)(de)(de)(de)日曬雨淋,銅(tong)(tong)(tong)(tong)(tong)(tong)(tong)(tong)雕(diao)(diao)塑(su)(su)油(you)(you)漆失色(se)嚴重,變得陳舊,非(fei)常影響(xiang)觀(guan)(guan)瞻,極(ji)大地(di)影響(xiang)了(le)城市形象。銅(tong)(tong)(tong)(tong)(tong)(tong)(tong)(tong)這種材(cai)料是(shi)(shi)特別容易生(sheng)銹的(de)(de)(de)(de)(de),而且一(yi)(yi)(yi)旦(dan)生(sheng)銹就會(hui)是(shi)(shi)一(yi)(yi)(yi)種綠色(se)的(de)(de)(de)(de)(de)銹跡,往往清(qing)(qing)(qing)除(chu)起來(lai)非(fei)常麻煩,對(dui)(dui)銅(tong)(tong)(tong)(tong)(tong)(tong)(tong)(tong)雕(diao)(diao)塑(su)(su)的(de)(de)(de)(de)(de)保養問(wen)題也會(hui)感到頭疼(teng)。對(dui)(dui)銅(tong)(tong)(tong)(tong)(tong)(tong)(tong)(tong)雕(diao)(diao)塑(su)(su)進行(xing)(xing)保養確(que)實不夠容易,操(cao)(cao)作(zuo)不當就會(hui)對(dui)(dui)雕(diao)(diao)塑(su)(su)作(zuo)品產生(sheng)損壞(huai),但是(shi)(shi)如(ru)果(guo)不清(qing)(qing)(qing)理(li),又(you)會(hui)影響(xiang)銅(tong)(tong)(tong)(tong)(tong)(tong)(tong)(tong)雕(diao)(diao)塑(su)(su)的(de)(de)(de)(de)(de)美觀(guan)(guan),而且還(huan)會(hui)減少(shao)銅(tong)(tong)(tong)(tong)(tong)(tong)(tong)(tong)雕(diao)(diao)塑(su)(su)的(de)(de)(de)(de)(de)使用(yong)(yong)(yong)壽(shou)命。如(ru)果(guo)要保持城市銅(tong)(tong)(tong)(tong)(tong)(tong)(tong)(tong)雕(diao)(diao)塑(su)(su)原(yuan)貌(mao),如(ru)何對(dui)(dui)銅(tong)(tong)(tong)(tong)(tong)(tong)(tong)(tong)雕(diao)(diao)塑(su)(su)進行(xing)(xing)保護(hu)保養呢?一(yi)(yi)(yi)、氧(yang)(yang)(yang)化(hua)(hua)(hua)(hua)銀(yin)法(fa)用(yong)(yong)(yong)氧(yang)(yang)(yang)化(hua)(hua)(hua)(hua)銀(yin)與氧(yang)(yang)(yang)化(hua)(hua)(hua)(hua)亞銅(tong)(tong)(tong)(tong)(tong)(tong)(tong)(tong)接觸(chu),封閉氯(lv)(lv)化(hua)(hua)(hua)(hua)亞銅(tong)(tong)(tong)(tong)(tong)(tong)(tong)(tong)的(de)(de)(de)(de)(de)暴露面(mian)(mian),達到控制(zhi)腐蝕銅(tong)(tong)(tong)(tong)(tong)(tong)(tong)(tong)雕(diao)(diao)的(de)(de)(de)(de)(de)目的(de)(de)(de)(de)(de)。先用(yong)(yong)(yong)機械(xie)方法(fa),剔除(chu)粉狀(zhuang)銹,露出灰白色(se)蠟狀(zhuang)物(wu)(wu)(wu)(wu)氯(lv)(lv)化(hua)(hua)(hua)(hua)亞銅(tong)(tong)(tong)(tong)(tong)(tong)(tong)(tong)。然(ran)(ran)后(hou)將(jiang)氧(yang)(yang)(yang)化(hua)(hua)(hua)(hua)銀(yin)與酒精(jing)調成(cheng)(cheng)糊劑,涂在(zai)(zai)氯(lv)(lv)化(hua)(hua)(hua)(hua)亞銅(tong)(tong)(tong)(tong)(tong)(tong)(tong)(tong)表(biao)面(mian)(mian),并(bing)(bing)置于(yu)潮濕環(huan)境(jing)中(zhong),使其充(chong)分(fen)作(zuo)用(yong)(yong)(yong),形成(cheng)(cheng)氧(yang)(yang)(yang)化(hua)(hua)(hua)(hua)亞銅(tong)(tong)(tong)(tong)(tong)(tong)(tong)(tong)和(he)氯(lv)(lv)化(hua)(hua)(hua)(hua)銅(tong)(tong)(tong)(tong)(tong)(tong)(tong)(tong),覆蓋氯(lv)(lv)化(hua)(hua)(hua)(hua)亞銅(tong)(tong)(tong)(tong)(tong)(tong)(tong)(tong)表(biao)面(mian)(mian)。兩(liang)者皆為(wei)穩(wen)定(ding)性(xing)鹽,如(ru)此(ci)多次操(cao)(cao)作(zuo),直至將(jiang)器(qi)物(wu)(wu)(wu)(wu)置于(yu)高濕環(huan)境(jing)中(zhong)仍不出現(xian)粉狀(zhuang)銹的(de)(de)(de)(de)(de)腐蝕點(dian)(dian)為(wei)止(zhi)。此(ci)法(fa)適(shi)于(yu)斑(ban)點(dian)(dian)狀(zhuang)局部腐蝕的(de)(de)(de)(de)(de)器(qi)物(wu)(wu)(wu)(wu)及有(you)金屬(shu)鑲嵌(qian)物(wu)(wu)(wu)(wu)的(de)(de)(de)(de)(de)器(qi)物(wu)(wu)(wu)(wu)。二、苯(ben)(ben)駢三氮(dan)(dan)唑法(fa)苯(ben)(ben)駢三氮(dan)(dan)唑是(shi)(shi)雜環(huan)化(hua)(hua)(hua)(hua)合(he)物(wu)(wu)(wu)(wu),與銅(tong)(tong)(tong)(tong)(tong)(tong)(tong)(tong)及其鹽類能(neng)形成(cheng)(cheng)穩(wen)定(ding)絡(luo)合(he)物(wu)(wu)(wu)(wu),在(zai)(zai)銅(tong)(tong)(tong)(tong)(tong)(tong)(tong)(tong)合(he)金表(biao)面(mian)(mian)生(sheng)成(cheng)(cheng)不溶性(xing)且相當牢固的(de)(de)(de)(de)(de)透(tou)明(ming)保護(hu)膜(mo)(mo),使銅(tong)(tong)(tong)(tong)(tong)(tong)(tong)(tong)雕(diao)(diao)病被抑(yi)制(zhi)并(bing)(bing)穩(wen)定(ding)下(xia)來(lai),防止(zhi)水(shui)蒸(zheng)(zheng)氣(qi)和(he)空(kong)氣(qi)污(wu)染(ran)物(wu)(wu)(wu)(wu)的(de)(de)(de)(de)(de)侵(qin)蝕。用(yong)(yong)(yong)蒸(zheng)(zheng)餾水(shui)和(he)甲苯(ben)(ben)、丙酮等有(you)機溶劑,清(qing)(qing)(qing)除(chu)銅(tong)(tong)(tong)(tong)(tong)(tong)(tong)(tong)雕(diao)(diao)表(biao)面(mian)(mian)泥土油(you)(you)污(wu),然(ran)(ran)后(hou)浸入(ru)苯(ben)(ben)駢三氮(dan)(dan)唑酒精(jing)溶劑中(zhong)進行(xing)(xing)滲(shen)透(tou),即(ji)可形成(cheng)(cheng)絡(luo)合(he)物(wu)(wu)(wu)(wu)保護(hu)膜(mo)(mo)。但苯(ben)(ben)駢三氮(dan)(dan)唑易受熱升華(hua),失去保護(hu)作(zuo)用(yong)(yong)(yong),所以最后(hou)應在(zai)(zai)銅(tong)(tong)(tong)(tong)(tong)(tong)(tong)(tong)雕(diao)(diao)表(biao)面(mian)(mian)涂一(yi)(yi)(yi)層高分(fen)子(zi)材(cai)料,做封護(hu)膜(mo)(mo)。三、堿液(ye)浸泡法(fa)將(jiang)被腐蝕的(de)(de)(de)(de)(de)銅(tong)(tong)(tong)(tong)(tong)(tong)(tong)(tong)雕(diao)(diao)置于(yu)倍半碳酸鈉(na)溶液(ye)中(zhong)浸泡,使銅(tong)(tong)(tong)(tong)(tong)(tong)(tong)(tong)的(de)(de)(de)(de)(de)氯(lv)(lv)化(hua)(hua)(hua)(hua)物(wu)(wu)(wu)(wu)逐(zhu)漸(jian)轉(zhuan)(zhuan)換為(wei)穩(wen)定(ding)的(de)(de)(de)(de)(de)銅(tong)(tong)(tong)(tong)(tong)(tong)(tong)(tong)的(de)(de)(de)(de)(de)碳酸鹽,銅(tong)(tong)(tong)(tong)(tong)(tong)(tong)(tong)雕(diao)(diao)的(de)(de)(de)(de)(de)氯(lv)(lv)離子(zi)被置換出來(lai)轉(zhuan)(zhuan)入(ru)浸液(ye)中(zhong)。浸液(ye)需(xu)定(ding)時更換,直至浸液(ye)中(zhong)無氯(lv)(lv)離子(zi)出現(xian)為(wei)止(zhi)。隨后(hou)將(jiang)器(qi)物(wu)(wu)(wu)(wu)用(yong)(yong)(yong)蒸(zheng)(zheng)餾水(shui)反復清(qing)(qing)(qing)洗,除(chu)去堿液(ye),干燥后(hou)封護(hu)。堿溶液(ye)僅(jin)把氯(lv)(lv)化(hua)(hua)(hua)(hua)物(wu)(wu)(wu)(wu)提取出來(lai),保留(liu)著色(se)彩(cai)斑(ban)斕的(de)(de)(de)(de)(de)孔雀石等腐蝕層,不損害(hai)銅(tong)(tong)(tong)(tong)(tong)(tong)(tong)(tong)雕(diao)(diao)的(de)(de)(de)(de)(de)原(yuan)貌(mao)。此(ci)法(fa)缺點(dian)(dian)是(shi)(shi)置換反應時間(jian)長(chang);另外氯(lv)(lv)化(hua)(hua)(hua)(hua)物(wu)(wu)(wu)(wu)不僅(jin)附在(zai)(zai)銹層表(biao)面(mian)(mian),而且已滲(shen)入(ru)器(qi)物(wu)(wu)(wu)(wu)腐蝕結(jie)殼(ke)的(de)(de)(de)(de)(de)深部,難以置換徹底(di)。四、納(na)米鍍膜(mo)(mo)保養法(fa) 利用(yong)(yong)(yong)邦美潔(jie)(BEMJER)液(ye)晶鍍膜(mo)(mo)油(you)(you)對(dui)(dui)銅(tong)(tong)(tong)(tong)(tong)(tong)(tong)(tong)雕(diao)(diao)塑(su)(su)進行(xing)(xing)鍍膜(mo)(mo)翻(fan)新處理(li),不僅(jin)能(neng)減少(shao)日曬雨淋對(dui)(dui)銅(tong)(tong)(tong)(tong)(tong)(tong)(tong)(tong)像的(de)(de)(de)(de)(de)損害(hai),銅(tong)(tong)(tong)(tong)(tong)(tong)(tong)(tong)像還(huan)能(neng)如(ru)當初保持靚(jing)麗的(de)(de)(de)(de)(de)容顏。邦美潔(jie)(BEMJER)液(ye)晶鍍膜(mo)(mo)油(you)(you)采用(yong)(yong)(yong)的(de)(de)(de)(de)(de)是(shi)(shi)納(na)米技術,產品固化(hua)(hua)(hua)(hua)成(cheng)(cheng)膜(mo)(mo)后(hou),形成(cheng)(cheng)保護(hu)膜(mo)(mo)的(de)(de)(de)(de)(de)分(fen)子(zi)結(jie)構非(fei)常小(xiao),相當于(yu)每個人(ren)頭發(fa)絲寬度的(de)(de)(de)(de)(de)五百分(fen)之一(yi)(yi)(yi),比水(shui)分(fen)子(zi)、甚至數百種細菌單體(ti)還(huan)要小(xiao),在(zai)(zai)銅(tong)(tong)(tong)(tong)(tong)(tong)(tong)(tong)雕(diao)(diao)塑(su)(su)上(shang)使用(yong)(yong)(yong)后(hou),水(shui)分(fen)子(zi)、細菌分(fen)子(zi)、污(wu)漬分(fen)子(zi)無法(fa)滲(shen)透(tou)和(he)附著,它有(you)五大顯著功能(neng):拒(ju)水(shui)防污(wu)、一(yi)(yi)(yi)擦即(ji)新、拒(ju)油(you)(you)抑(yi)菌、抗氧(yang)(yang)(yang)化(hua)(hua)(hua)(hua)、易于(yu)清(qing)(qing)(qing)潔(jie),可以與木制(zhi)品、皮革、金屬(shu)、玻璃(li)、陶瓷、石材(cai)、塑(su)(su)料等眾多材(cai)料完美結(jie)合(he)。
銅雕(diao)塑(su)(su)作為工藝品,逐步被大(da)家所(suo)喜愛和(he)接受。一件鑄銅雕(diao)塑(su)(su)工藝品擁有很高的(de)收(shou)藏價值。對(dui)銅雕(diao)塑(su)(su)的(de)保養:
1、放置鑄銅(tong)雕塑工(gong)藝品的房屋必須保(bao)持干燥,沒有塵(chen)埃和(he)空氣(qi)污染物(wu)。溫度(du)在18℃-24℃,相對濕度(du)在40%-50%。
2、必須預防接(jie)觸銅工(gong)藝(yi)品產生的有(you)害化學作用物質(zhi),如酸類(lei)、油(you)脂(zhi)、氯(lv)化物等(deng)。搬動銅藝(yi)術品一定要戴上(shang)棉(mian)絲手(shou)套(tao),不(bu)可(ke)用手(shou)直接(jie)接(jie)觸,以(yi)避免被(bei)手(shou)上(shang)的汗腐蝕。也不(bu)可(ke)用油(you)污(wu)的紙(zhi)或盒子來(lai)包(bao)裝。
3、鑄銅雕塑工藝品上的塵埃,要(yao)用(yong)干(gan)凈而柔軟(ruan)的布片揩去(qu),而那些(xie)需要(yao)特別小心的細節(易斷、易損),要(yao)用(yong)柔軟(ruan)的毛刷刷去(qu)或用(yong)吸塵器吸走或是吹去(qu)塵埃。
4、必須預防鑄銅雕塑(su)工(gong)藝品受(shou)到機(ji)械性損壞(huai),相(xiang)互間不(bu)應該(gai)彼(bi)此碰撞、不(bu)要疊壓碼放、對于細工(gong)精制和容(rong)易(yi)損壞(huai)的銅工(gong)藝品,更加要小(xiao)心維護。
5、鑄銅雕塑工藝品擺(bai)放(fang)時(shi)間過長之后,依據擺(bai)放(fang)的環(huan)境或多或少(shao)會出現一些暗啞(ya)的現象,這個時(shi)候可以用棉絲質的細布來回擦拭(shi)。可達到拋光的效果,從而(er)使表面的保護蠟層重新煥發光彩。